Pellicano Articles
OVERVIEW
The 1st thing you notice about the MM6 is how extremely light it is, weighing in at a hair over 11 fat. The plastic construction might not get up to every day abuse on the road, but it sure makes the keyboard easy to carry to weekend gigs and recording periods in a pal’s residence studio. Similarly, the keyboard action doesn’t have the rock-solid feel of pricier synths such as Yamaha’s own Motifs, but it’s perfectly serviceable.
The MM6’s uniquely sleek shape resembles a stealth aircraft. The keyboard is velocity-aware, but lacks aftertouch. Pitchbend and inflection wheels are included, as well as dedicated knobs for filter and size envelope control. The pedals are easily readable, and all the switches have a nice rubbery surface. Taking the “category” method of sound collection one step further are dedicated buttons for lots of common sound categories. An eight-track onboard sequencer rounds out the package.
Noises AND Suppression
The standard of the tunes here contrast with the entry-level appearance of the MM6, which is not shocking, certain that they’re derived from in cooperation the Motif ES and “classic.” Most of the acoustic pianos were a little dark for my tastes, but the Rhodes and Wurly emotional pianos sounded very authentic. There are several spitty, vibey organs, with fixed rotary orator effects (i.e. they’re part of the example itself) and the mod wheel adding conventional vibrato. The MM6 provides copiousness of other great sounds, such as the famous Yamaha acoustic guitars, plenty of fat synth leads and basses, plus impressive strings and brass. The “synth lead/pad” category offers lots of techno-oriented leads as well as some huge analog pads. The mass of sound near-term out of this little jual keyboard yamaha is often surprising! Drum kits run the range from old analog beat boxes (think Roland TR-808 and 909), to house, dirty garage, and more directly ahead rock and R&B styles. It’s hard to put my finger on, but all the drum sounds had only a bit of grit to them that acted up a little extra impact and punch.
While the MM6 is primarily a preset-based instrument, you can edit some critical sound parameters. Four front-panel knobs let you tweak what are likely the four “most wanted” settings: filter cutoff and timbre, and volume envelope attack and release. Chorus, reverb, EQ, and a selectable DSP effect is probably assigned and saved as well, but the effects themselves are preset. That has a split or layer, you can edit how much of each sound gets sent to each outcome, but that’s about it. This limitation is offset, though, by the sheer variety of onboard effect presets. You will store these adjustments in 64 performance memories, that are also wherever you store splits and layers, as well as accompaniment rhythm model and arpeggio settings, which we’ll get into in a moment.
IN USE
Like countless other aspects of the MM6, the single arpeggiator is a preset-based affair, with 213 different patterns covering the whole thing from basic up-and-down riffs to complex, polyphonic variations that, true to the Motif line’s cleverness in this area, are better described as phrase sequences than as mere arpeggios. Additionally, numerous pattern names contain prefixes directing the user to appropriate sounds. This is most evident in the drum “arpeggios” that offer instantaneous beats with drum presets.
In the abode-organ-of-doom realm, the MM6 has 168 built-in rhythms, each with four variations. But that’s not all, folks! Each rhythm includes a stylistically appropriate chord and bass accessory pattern that can track right hand chords or left hand bass notes. While they don’t offer as many realtime variations as full-on arranger keyboards like keyboard yamaha PSR-3000 (see page 20), the designs are normally pretty hip, covering a whole lot of ground from rock to R&B to hip-hop, and quite adeptly at that. Yamaha has kindly terrified in Turkish and Oriental pop styles as well as some cool Indian tabla beats. One could really get into trouble here . . . the fine type, that is.
There’s an eight-track sequencer onboard as well, with a ninth pathway dedicated to rhythm patterns. It’s clearly intentional as a musical sketchpad, as its functions are very basic: There’s no quantizing, cut-and-paste editing, or loop mode, just straight-up linear footage. I suspect this is precisely why Yamaha tosses in a Mac- and PC-compatible copy of Steinberg Cubase LE on an included CD-ROM ought to you would like to do more complex songwriting and arranging.
Yamaha openhandedly includes two USB ports. One accepts standard USB storage devices, allowing backing of all internal data as well as direct playback of Standard MIDI files right since the device. I downloaded a pretty wicked SMF of the Village People’s “In The Navy,” and playback was as simple as saving to my USB flash drive, popping it into the MM6, and pressing play. The second USB port is for MIDI communication with your Mac or PC. You do need to download the correct driver from Yamaha’s site, but the download and installation process was quick and hassle-free, and once installed, MIDI worked perfectly with Apple Logic Pro.
CONCLUSIONS
The MM6 occupies a unique niche. It succeeds in bringing the sound worth of the pricier Motifs to the more casual or novice participant, and is visibly aimed at those don’t want to use a lot of time dealing with the nooks and crannies of a deeper workstation. Though it’s easy for some “pros” to occur their noses at the accompaniment features, it only takes a couple of seconds to realize that you will quickly initiate a heck of a lot of music this way. This could prove highly valuable for singer-songwriter kinds who like to work fast.
Evaluating likely war in this price range, the Korg X50 ($899) and Roland Juno-D ($749) both have about two times the polyphony and are a little more professionally oriented in terms of their synth feature sets, but they’re also more menacing to the beginning user. More importantly, neither has any multitrack sequencer onboard, as compared with the MM6’s basic but sensible sketchpad. For ease of use and grave sounds at a light price, the Yamaha MM6 accomplishes its endeavors with aplomb.
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Posted in Music · September 2nd, 2010 · Comments (0)
If you’re thinking of learning the guitar, you need to know one thing. It’s difficult! (If anyone tells you any different they are lying!). But, it’s the hardest mainly when you’re just starting out. Nothing worth while is ever easy. That’s why guitar is so extraordinary. If it was easy, we would have everyone playing the guitar all over the world. Just like with anything, if you’re going to get past the awkward beginner stage you need to practice. Well, if you’re like most people and need someone to sort of give you a push once in a while? I would strongly suggest you take private lessons, and here is why.
When you take private lessons, you always have someone to push you to practice. Yes! And trust me, you will need to be pushed. Your teacher is going to explain the proper way of holding the guitar and how to play the basic chords. Also, you are asking “your fingers” to do things they’ve never attempted before. It hurts! Your fingers will be stretched in ways they just weren’t intended to stretch, the tips of your fingers will blister and only after playing for sometime will they become calluses. In fact, I’ve seen beginner guitar players finger tips actually bleed!
So, did I scare you? If I have? Then you weren’t ever really going to learn how to play guitar anyway! Were you!? If I haven’t scared you off? GOOD! You are going to have a lot of fun. More then you can even imagine. When you’ll finally learn to play the guitar, it will open up a completely different world to you. You can actually feel the music flowing through your body. If you purchase an electric guitar? You’ve just doubled the pleasure! It feel tremendous to have that axe wheal ding it’s awesome power at your finger tips and the growl of an amplifier right behind you! And let’s not forget the special attention you’re going to get from the opposite sex!
Ok. Now let’s talk about one of the greatest inventions in history. Well in my opinion, anyway. Yes! It’s online lessons for guitar! Before you just would take private guitar lessons. However, private guitar lessons are really only helpful I believe for the beginner. After you have learned all the fundamentals and your hands and fingers have gained strength. You will now be able to learn in half the time. There’s only one problem. Your teacher might be holding back your progress. You will still be paying a high price, seeing your instructor once a week and just not moving as fast as you could be with online lessons for guitar. Plus, you’re able to watch in detail over and over again the lessons in HD quality! With the help of multiple camera angles and close ups, there is no way you’re going to be confused.
Even though online instruction offers great guitar lessons for beginners, take private guitar lessons at first. It will help you to overcome the difficult part of learning the guitar.
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Posted in Music · September 1st, 2010 · Comments (0)